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    finck / isaac / krieger / flotow / kienzl / mozart
    Icon - fritz wunderlich - a poet among tenors: grümmer, lorengar, muszely, mathis, otto, prey, kempe

     
     
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    • FormatCD x 6 Box
    •  
    • Etat généraloriginal neuf
    • Etat pochetteS ?
    • Etat disqueS ?
    • LabelEMI 29525
    • PressageUPC/EAN: 5099962952521 - EU
    • Année2010
    •  
    • Quantité disponible1
    • Frais d'expédition
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    Commentaire du vendeur :
    Icon - Fritz Wunderlich

    Release Date: 09/14/2010
    Label: EMI Classics Catalog #: 29525 Spars Code: ADD
    Composer: Heinrich Finck, Heinrich Isaac, Adam Krieger, Johann Sebastian Bach, ...
    Performer: Otto Steinkopf, Fritz Wunderlich, Herbert Naumann, Gerhard Kastner, ...
    Conductor: Karl Forster, Hans Müller-Kray, Berislav Klobucar, Robert Heger, ...
    Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin St. Hedwig Cathedral Choir, Bavarian State Opera Orchestra, ...
    Number of Discs: 6

    Works on This Recording
    1. O schönes Weib by Heinrich Finck
    Performer: Otto Steinkopf (Bass Dulcian), Fritz Wunderlich (Tenor), Herbert Naumann (Alto Viol),
    Gerhard Kastner (Tenor Recorder)
    2. Mein Freud allein by Heinrich Isaac
    Performer: Gerhard Kastner (Tenor Recorder), Otto Steinkopf (Bass Dulcian), Fritz Wunderlich (Tenor),
    Herbert Naumann (Alto Viol), Frithjof Fest (Nicolo), Gerhard Tucholski (Lute)
    Period: Renaissance
    3. Amanda, darf man dich wohl küssen by Adam Krieger
    Performer: Gerhard Naumann (Tenor Viol), Fritz Wunderlich (Tenor), Gerhard Tucholski (Lute)
    4. Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata": no 3, Wie? schönste Göttin? wie? by Johann Sebastian Bach
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Karl Forster
    Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin St. Hedwig Cathedral Choir
    Period: Baroque
    Written: 1713; Cöthen, Germany
    Date of Recording: 11/1961
    5. Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata": no 4, Willst du dich nicht mehr ergetzen by Johann Sebastian Bach
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Karl Forster
    Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin St. Hedwig Cathedral Choir
    Date of Recording: 11/1961
    6. Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata": no 5, Ich liebe dich zwar noch! by Johann Sebastian Bach
    Performer: Annelies Kupper (Soprano), Fritz Wunderlich (Tenor)
    Conductor: Karl Forster
    Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin St. Hedwig Cathedral Choir
    Period: Baroque
    Written: 1713; Cöthen, Germany
    Date of Recording: 11/1961
    7. Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata": no 12, Entzücket uns beide, ihr Strahlen der Freude by Johann Sebastian Bach
    Performer: Annelies Kupper (Soprano), Fritz Wunderlich (Tenor)
    Conductor: Karl Forster
    Orchestra/Ensemble: Berlin Philharmonic Orchestra, Berlin St. Hedwig Cathedral Choir
    Date of Recording: 11/1961
    8. Serse, HWV 40: Ombra mai fu "Largo" by George Frideric Handel
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Hans Müller-Kray
    Orchestra/Ensemble: Bavarian State Opera Orchestra
    Period: Baroque
    Written: 1738; London, England
    Date of Recording: 1962
    9. Die Entführung aus dem Serail, K 384: Constanze, dich wiederzusehen by Wolfgang Amadeus Mozart
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Classical
    Written: 1782; Vienna, Austria
    Date of Recording: 1960
    10. Die Zauberflöte, K 620: Dies Bildnis ist bezaubernd schön by Wolfgang Amadeus Mozart
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Classical
    Written: 1791; Vienna, Austria
    Date of Recording: 1960
    11. Zar und Zimmermann: Lebe wohl, mein flandrisch Mädchen by Albert Lortzing
    Performer: Helga Hildebrand (Soprano), Fritz Wunderlich (Tenor)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1837; Germany
    Date of Recording: 11/1959
    12. Der Wildschütz: Bleiben soll ich und stets sie sehen by Albert Lortzing
    Performer: Fritz Wunderlich (Tenor), Gisela Litz (Mezzo Soprano), Anneliese Rothenberger (Soprano),
    Lotte Schädle (Soprano), Fritz Ollendorf (Bass)
    Conductor: Robert Heger
    Orchestra/Ensemble: Bavarian State Opera Orchestra
    Period: Romantic
    Written: 1842; Germany
    Date of Recording: 1963
    13. Der Wildschütz: Ihr Weib? by Albert Lortzing
    Performer: Fritz Ollendorf (Bass), Lotte Schädle (Soprano), Fritz Wunderlich (Tenor),
    Gisela Litz (Mezzo Soprano), Anneliese Rothenberger (Soprano)
    Conductor: Robert Heger
    Orchestra/Ensemble: Bavarian State Opera Orchestra
    Period: Romantic
    Written: 1842; Germany
    Date of Recording: 1963
    14. Der Wildschütz: Komm, liebes Gretchen by Albert Lortzing
    Performer: Fritz Ollendorf (Bass), Lotte Schädle (Soprano), Fritz Wunderlich (Tenor),
    Anneliese Rothenberger (Soprano), Gisela Litz (Mezzo Soprano)
    Conductor: Robert Heger
    Orchestra/Ensemble: Bavarian State Opera Orchestra
    Period: Romantic
    Date of Recording: 1963
    15. Die Lustigen Weiber von Windsor: Eure Tochter!...Meine Tochter? by Otto Nicolai
    Performer: Fritz Wunderlich (Tenor), Edith Mathis (Soprano), Kieth Engen (Bass)
    Conductor: Robert Heger
    Orchestra/Ensemble: Bavarian State Opera Orchestra
    Date of Recording: 1963
    16. Die Lustigen Weiber von Windsor: Horch, die Lerche singt im Hain by Otto Nicolai
    Performer: Fritz Wunderlich (Tenor), Edith Mathis (Soprano), Kieth Engen (Bass)
    Conductor: Robert Heger
    Orchestra/Ensemble: Bavarian State Opera Orchestra
    Period: Renaissance
    Written: 1536; Spain
    Date of Recording: 1963
    17. Die Lustigen Weiber von Windsor: Mein Mädchen by Otto Nicolai
    Performer: Edith Mathis (Soprano), Fritz Wunderlich (Tenor), Kieth Engen (Bass)
    Conductor: Robert Heger
    Orchestra/Ensemble: Bavarian State Opera Orchestra
    Period: Romantic
    Written: 1849; Berlin, Germany
    Date of Recording: 1963
    18. Martha: Wie das schnattert, wie das plappert by Friedrich von Flotow
    Performer: Hetty Plümacher (Soprano), Fritz Wunderlich (Tenor), Gottlob Frick (Bass),
    Anneliese Rothenberger (Soprano)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1847; Germany
    Date of Recording: 05/1960
    19. Martha: Warte nur! Das sollst du büssen by Friedrich von Flotow
    Performer: Hetty Plümacher (Soprano), Fritz Wunderlich (Tenor), Gottlob Frick (Bass),
    Anneliese Rothenberger (Soprano)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1847; Germany
    Date of Recording: 05/1960
    20. Martha: Ach, so fromm by Friedrich von Flotow
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1847; Germany
    Date of Recording: 05/1960
    21. Martha: Jetzt, ihr Freunde jung und alt by Friedrich von Flotow
    Performer: Fritz Wunderlich (Tenor), Gottlob Frick (Bass), Anneliese Rothenberger (Soprano),
    Hetty Plümacher (Soprano)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Date of Recording: 05/1960
    22. Der Barbier von Bagdad: So leb' ich noch...Vor deinem Fenster die Blumen by Peter Cornelius
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Hans Müller-Kray
    Orchestra/Ensemble: Bavarian State Opera Orchestra
    Period: Romantic
    Written: 1858; Weimar, Germany
    Date of Recording: 11/1962
    23. Eine Nacht in Venedig: Annina! Caramello!...Pellegrina rondinella by Johann Strauss Jr.
    Performer: Rudolf Schock (Tenor), Fritz Wunderlich (Tenor), Liselotte Schmidt (Soprano)
    Conductor: Fried Walter
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1883; Vienna, Austria
    Date of Recording: 1960
    24. Eine Nacht in Venedig: Komm in die Gondel, mein Liebchen by Johann Strauss Jr.
    Performer: Rudolf Schock (Tenor), Fritz Wunderlich (Tenor), Liselotte Schmidt (Soprano)
    Conductor: Fried Walter
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Written: 1883
    Date of Recording: 1960
    25. Eine Nacht in Venedig: Ach, wie so herrlich by Johann Strauss Jr.
    Performer: Fritz Wunderlich (Tenor), Rudolf Schock (Tenor), Lisa Otto (Soprano)
    Conductor: Fried Walter
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1883; Vienna, Austria
    Date of Recording: 1960
    26. Der Bettelstudent: Die Welt hat das geniaiste Steben by Karl Millöcker
    Performer: Rudolf Schock (Tenor), Fritz Wunderlich (Tenor), Liselotte Schmidt (Soprano)
    Conductor: Werner Schmidt-Boelcke
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1882; Vienna, Austria
    Date of Recording: 10/1959
    27. Der Bettelstudent: Durch diesen Kuss by Karl Millöcker
    Performer: Liselotte Schmidt (Soprano), Fritz Wunderlich (Tenor), Rudolf Schock (Tenor)
    Conductor: Werner Schmidt-Boelcke
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1882; Vienna, Austria
    Date of Recording: 10/1959
    28. Der Evangelimann, Op. 45: Selig sind, die Verfolgung leiden by Wilhelm Kienzl
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Hans Müller-Kray
    Orchestra/Ensemble: Bavarian State Opera Orchestra
    Period: Romantic
    Written: 1894; Bad Aussee, Austria
    Date of Recording: 11/1962
    29. Der Zarewitsch: Allein, wieder allein "Wolgalied" by Franz Lehár
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Carl Michalski
    Orchestra/Ensemble: Graunke Symphony Orchestra
    Period: Romantic
    Written: 1927; Vienna, Austria
    Date of Recording: 1963-1964
    30. Der Zarewitsch: Hab' nur dich allein by Franz Lehár
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Carl Michalski
    Orchestra/Ensemble: Graunke Symphony Orchestra
    Period: Romantic
    Written: 1927; Vienna, Austria
    Date of Recording: 1963-1964
    31. Der Zarewitsch: Mädel, wonniges Mädel by Franz Lehár
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Carl Michalski
    Orchestra/Ensemble: Graunke Symphony Orchestra
    Period: Romantic
    Written: 1927; Vienna, Austria
    Date of Recording: 1963-1964
    32. Das Land des Lächelns: Ich trete ins Zimmer by Franz Lehár
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Carl Michalski
    Orchestra/Ensemble: Graunke Symphony Orchestra
    Period: Romantic
    Written: 1929; Vienna, Austria
    Date of Recording: 1963-1964
    33. Das Land des Lächelns: Bei einem Tee en deux by Franz Lehár
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Carl Michalski
    Orchestra/Ensemble: Graunke Symphony Orchestra
    Period: Romantic
    Written: 1929; Vienna, Austria
    Date of Recording: 1963-1964
    34. Das Land des Lächelns: Von Apfelblüten einen Kranz by Franz Lehár
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Carl Michalski
    Orchestra/Ensemble: Graunke Symphony Orchestra
    Period: Romantic
    Written: 1929; Vienna, Austria
    Date of Recording: 1963-1964
    35. Das Land des Lächelns: Wer hat die Liebe uns ins Herz by Franz Lehár
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Carl Michalski
    Orchestra/Ensemble: Graunke Symphony Orchestra
    Period: Romantic
    Written: 1929; Vienna, Austria
    Date of Recording: 1963-1964
    36. Das Land des Lächelns: Dein ist mein ganzes Herz by Franz Lehár
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Carl Michalski
    Orchestra/Ensemble: Graunke Symphony Orchestra
    Period: Romantic
    Written: 1929; Vienna, Austria
    Date of Recording: 1963-1964
    37. Giuditta: Freunde, das Leben ist lebenswert by Franz Lehár
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Hans Moltkau
    Orchestra/Ensemble: Bavarian State Orchestra
    Period: Romantic
    Written: 1934; Vienna, Austria
    Date of Recording: 11/1962
    38. Der Fidele Bauer: O frag'mich nicht by Leo Fall
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Carl Michalski
    Orchestra/Ensemble: Graunke Symphony Orchestra
    Period: Romantic
    Written: 1907; Austria
    Date of Recording: 09/1963
    39. Die Rose von Stambul: O rose von Stambul by Leo Fall
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Hans Moltkau
    Orchestra/Ensemble: Bavarian State Orchestra
    Period: Romantic
    Written: 1916; Vienna, Austria
    Date of Recording: 11/1962
    40. Die Rose von Stambul: Ihr stillen, süssen Frau'n by Leo Fall
    Performer: Fritz Wunderlich (Tenor), Melitta Muszely (Soprano)
    Conductor: Carl Michalski
    Orchestra/Ensemble: Graunke Symphony Orchestra
    Period: Romantic
    Written: 1916; Vienna, Austria
    Date of Recording: 09/1963
    41. Die Rose von Stambul: Sie glauben, mein Herr...Das ist das Glück by Leo Fall
    Performer: Fritz Wunderlich (Tenor), Melitta Muszely (Soprano)
    Conductor: Carl Michalski
    Orchestra/Ensemble: Graunke Symphony Orchestra
    Date of Recording: 09/1963
    42. Die Rose von Stambul: Willst du an die Welt vergessen by Leo Fall
    Performer: Melitta Muszely (Soprano), Fritz Wunderlich (Tenor)
    Conductor: Carl Michalski
    Orchestra/Ensemble: Graunke Symphony Orchestra
    Period: Romantic
    Written: 1916; Vienna, Austria
    Date of Recording: 09/1963
    43. Die Rose von Stambul: Zwei Augen, die Wollen mir nicht by Leo Fall
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Hans Moltkau
    Orchestra/Ensemble: Bavarian State Orchestra
    Period: Romantic
    Written: 1916; Vienna, Austria
    Date of Recording: 11/1962
    44. Die Rose von Stambul: Wenn sich ein Mädchen stolz dir zeigt by Leo Fall
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Carl Michalski
    Orchestra/Ensemble: Graunke Symphony Orchestra
    Period: Romantic
    Written: 1916; Vienna, Austria
    Date of Recording: 09/1963
    45. Gräfin Mariza: Grüss mir mein Wien by Emmerich Kálmán
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Hans Moltkau
    Orchestra/Ensemble: Bavarian State Orchestra
    Period: 20th Century
    Written: 1924; Vienna, Austria
    Date of Recording: 11/1962
    46. Gräfin Mariza: Auch ich war einst ein feiner Csárdáskavalier by Emmerich Kálmán
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Hans Moltkau
    Orchestra/Ensemble: Bavarian State Orchestra
    Period: 20th Century
    Written: 1924; Vienna, Austria
    Date of Recording: 11/1962
    47. Die Zirkusprinzessin: Zwei Märchenaugen by Emmerich Kálmán
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Hans Moltkau
    Orchestra/Ensemble: Bavarian State Orchestra
    Period: 20th Century
    Written: 1926; Vienna, Austria
    Date of Recording: 11/1962
    48. Die grosse Sünderin, Op. 37: Das Lied vom Leben des Schrenk by Eduard Künneke
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Hans Moltkau
    Orchestra/Ensemble: Bavarian State Orchestra
    Period: Romantic
    Written: 1935; Germany
    Date of Recording: 11/1962
    49. Don Giovanni, K 527: Ma, qual soffre...Fuggi, crudele, fuggi by Wolfgang Amadeus Mozart
    Performer: Fritz Wunderlich (Tenor), Elisabeth Grümmer (Soprano)
    Conductor: Hans Zanotelli
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Classical
    Written: 1787; Prague, Czech Republ
    Date of Recording: 02/1960
    50. Don Giovanni, K 527: Dalla sua pace by Wolfgang Amadeus Mozart
    Performer: Fritz Wunderlich (Tenor), Elisabeth Grümmer (Soprano)
    Conductor: Hans Zanotelli
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Classical
    Written: 1787; Prague, Czech Republ
    Date of Recording: 02/1960
    51. Don Giovanni, K 527: Il mio tesoro intanto by Wolfgang Amadeus Mozart
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Horst Stein
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Classical
    Written: 1787; Prague, Czech Republ
    Date of Recording: 12/05/1961
    52. Così fan tutte, K 588: Un' aura amorosa by Wolfgang Amadeus Mozart
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Classical
    Written: 1790; Vienna, Austria
    Date of Recording: 06/1960
    53. L'Elisir d'Amore: Quanto è bella! Quanto è cara! by Gaetano Donizetti
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Hans Müller-Kray
    Orchestra/Ensemble: Bavarian State Opera Orchestra
    Period: Romantic
    Written: 1832; Italy
    54. L'Elisir d'Amore: Una furtiva lagrima by Gaetano Donizetti
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Hans Müller-Kray
    Orchestra/Ensemble: Bavarian State Opera Orchestra
    Period: Romantic
    Written: 1832; Italy
    Date of Recording: 11/1962
    55. Rigoletto: Questa o quella by Giuseppe Verdi
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1851; Italy
    Date of Recording: 07/01/1960
    56. Rigoletto: La donna è mobile by Giuseppe Verdi
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1851; Italy
    Date of Recording: 07/01/1960
    57. La traviata: De' miei bollenti spiriti by Giuseppe Verdi
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1853; Italy
    Date of Recording: 06/1960
    58. La Bohème: Che gelida manina by Giacomo Puccini
    Performer: Anneliese Rothenberger (Soprano), Fritz Wunderlich (Tenor)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1896; Italy
    Date of Recording: 1961
    59. La Bohème: O soave fanciulla by Giacomo Puccini
    Performer: Anneliese Rothenberger (Soprano), Fritz Wunderlich (Tenor)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1896; Italy
    Date of Recording: 1961
    60. La Bohème: Addio, dolce svegliare (Quartet) by Giacomo Puccini
    Performer: Anneliese Rothenberger (Soprano), Ruth-Margret Pütz (Soprano), Fritz Wunderlich (Tenor),
    Marcel Cordes (Baritone)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1896; Italy
    Date of Recording: 1961
    61. La Bohème: O Mimì, tu più non torni by Giacomo Puccini
    Performer: Marcel Cordes (Baritone), Anneliese Rothenberger (Soprano), Ruth-Margret Pütz (Soprano),
    Fritz Wunderlich (Tenor)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1896; Italy
    Date of Recording: 1961
    62. Madama Butterfly: Dovunque al mondo by Giacomo Puccini
    Performer: Fritz Wunderlich (Tenor), Pilar Lorengar (Soprano), Georg Baumgartner (Tenor),
    Hermann Prey (Baritone), Sieglinde Wagner (Alto)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1904; Italy
    Date of Recording: 1961
    63. Madama Butterfly: Bimba, bimba, non piangere by Giacomo Puccini
    Performer: Sieglinde Wagner (Alto), Fritz Wunderlich (Tenor), Pilar Lorengar (Soprano),
    Georg Baumgartner (Tenor), Hermann Prey (Baritone)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1904; Italy
    Date of Recording: 1961
    64. Madama Butterfly: Addio, fiorito asil by Giacomo Puccini
    Performer: Sieglinde Wagner (Alto), Pilar Lorengar (Soprano), Georg Baumgartner (Tenor),
    Hermann Prey (Baritone), Fritz Wunderlich (Tenor)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1904; Italy
    Date of Recording: 1961
    65. La dame blanche: Viens, gentille dame by François Boieldieu
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Hans Müller-Kray
    Orchestra/Ensemble: Bavarian State Opera Orchestra
    Period: Romantic
    Written: 1825; Paris, France
    Date of Recording: 11/1962
    66. Mignon: Adieu, Mignon! Courage! by Ambroise Thomas
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1866; France
    Date of Recording: 06/1961
    67. Mignon: Où suis je? by Ambroise Thomas
    Performer: Fritz Wunderlich (Tenor), Pilar Lorengar (Soprano)
    Conductor: Berislav Klobucar
    Orchestra/Ensemble: Berlin Symphony Orchestra
    Period: Romantic
    Written: 1866; France
    Date of Recording: 06/1961
    68. Manon: Instant charmant...En fermant les yeux "Dream of des Grieux" by Jules Massenet
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Hans Müller-Kray
    Orchestra/Ensemble: Bavarian State Opera Orchestra
    Period: Romantic
    Written: 1883-1884; France
    Date of Recording: 11/1962
    69. Bartered Bride, B 143/T 93: My youthful fortunes all lie buried by Bedrich Smetana
    Performer: Pilar Lorengar (Soprano), Gottlob Frick (Bass), Fritz Wunderlich (Tenor)
    Conductor: Rudolf Kempe
    Orchestra/Ensemble: Bamberg Symphony Orchestra
    Date of Recording: 05/1962
    70. Bartered Bride, B 143/T 93: Now then, my dear man, will you listen to a word or two? by Bedrich Smetana
    Performer: Pilar Lorengar (Soprano), Gottlob Frick (Bass), Fritz Wunderlich (Tenor)
    Conductor: Rudolf Kempe
    Orchestra/Ensemble: Bamberg Symphony Orchestra
    Period: Romantic
    Written: 1863/1870; Czech Republic
    Date of Recording: 05/1962
    71. Bartered Bride, B 143/T 93: How could he believe by Bedrich Smetana
    Performer: Pilar Lorengar (Soprano), Gottlob Frick (Bass), Fritz Wunderlich (Tenor)
    Conductor: Rudolf Kempe
    Orchestra/Ensemble: Bamberg Symphony Orchestra
    Period: Romantic
    Written: 1863/1870; Czech Republic
    Date of Recording: 05/1962
    72. Bartered Bride, B 143/T 93: Are you really so stubborn? by Bedrich Smetana
    Performer: Gottlob Frick (Bass), Pilar Lorengar (Soprano), Fritz Wunderlich (Tenor)
    Conductor: Rudolf Kempe
    Orchestra/Ensemble: Bamberg Symphony Orchestra
    Period: Romantic
    Written: 1863/1870; Czech Republic
    Date of Recording: 05/1962
    73. Eugene Onegin, Op. 24: Whither, whither by Peter Ilyich Tchaikovsky
    Performer: Hermann Prey (Baritone), Fritz Wunderlich (Tenor), Melitta Muszely (Soprano)
    Conductor: Meinhard von Zallinger
    Orchestra/Ensemble: Bavarian State Orchestra
    Period: Romantic
    Written: 1877-1878; Russia
    Date of Recording: 1962
    74. Eugene Onegin, Op. 24: We fight, we fight to satisfy our honor by Peter Ilyich Tchaikovsky
    Performer: Hermann Prey (Baritone), Fritz Wunderlich (Tenor), Melitta Muszely (Soprano)
    Conductor: Meinhard von Zallinger
    Orchestra/Ensemble: Bavarian State Orchestra
    Date of Recording: 1962
    75. Queen of Spades, Op. 68: Why these tears? by Peter Ilyich Tchaikovsky
    Performer: Hermann Prey (Baritone), Fritz Wunderlich (Tenor), Melitta Muszely (Soprano)
    Conductor: Meinhard von Zallinger
    Orchestra/Ensemble: Bavarian State Orchestra
    Period: Romantic
    Written: 1890; Russia
    Date of Recording: 1962
    76. Queen of Spades, Op. 68: What if the clock chimes by Peter Ilyich Tchaikovsky
    Performer: Hermann Prey (Baritone), Fritz Wunderlich (Tenor), Melitta Muszely (Soprano)
    Conductor: Meinhard von Zallinger
    Orchestra/Ensemble: Bavarian State Orchestra
    Period: Romantic
    Written: 1890; Russia
    Date of Recording: 1962
    77. Ständchen, D 889 by Franz Schubert
    Performer: Fritz Wunderlich (Tenor), Rolf Reinhardt (Piano)
    Period: Romantic
    Written: 1826; Vienna, Austria
    Date of Recording: 11/02/1962
    78. Schwanengesang, D 957: no 9, Ihr Bild by Franz Schubert
    Performer: Fritz Wunderlich (Tenor), Rolf Reinhardt (Piano)
    Period: Romantic
    Written: 1828; Vienna, Austria
    Date of Recording: 11/02/1962
    79. Mörike Lieder: no 10, Fussreise by Hugo Wolf
    Performer: Fritz Wunderlich (Tenor), Rolf Reinhardt (Piano)
    Period: Romantic
    Written: 1888; Vienna, Austria
    Date of Recording: 11/02/1962
    80. Mörike Lieder: no 9, Nimmersatte Liebe by Hugo Wolf
    Performer: Fritz Wunderlich (Tenor), Rolf Reinhardt (Piano)
    Period: Romantic
    Written: 1888; Vienna, Austria
    Date of Recording: 11/02/1962
    81. Eichendorff Lieder: no 2, Der Musikant by Hugo Wolf
    Performer: Fritz Wunderlich (Tenor), Rolf Reinhardt (Piano)
    Period: Romantic
    Written: 1888; Vienna, Austria
    Date of Recording: 11/02/1962
    82. Lieder (8), Op. 10: no 1, Zueignung by Richard Strauss
    Performer: Fritz Wunderlich (Tenor), Rolf Reinhardt (Piano)
    Period: Romantic
    Written: 1885; Germany
    Date of Recording: 11/02/1962
    83. Lieder aus Lotusblättern (6), Op. 19: no 4, Wie sollten wir geheim sie halten by Richard Strauss
    Performer: Fritz Wunderlich (Tenor), Rolf Reinhardt (Piano)
    Period: Romantic
    Written: 1885-1888; Germany
    Date of Recording: 11/02/1962
    84. Lieder (4), Op. 27: no 3, Heimliche Aufforderung by Richard Strauss
    Performer: Fritz Wunderlich (Tenor), Rolf Reinhardt (Piano)
    Period: Romantic
    Written: 1894; Germany
    Date of Recording: 11/02/1962
    85. Das Lied von der Erde: no 1, Das Trinklied vom Jammer der Erde by Gustav Mahler
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Otto Klemperer
    Orchestra/Ensemble: New Philharmonia Orchestra, Philharmonia Orchestra
    Period: Romantic
    Written: 1908-1909; Vienna, Austria
    Date of Recording: 1964-1966
    86. Das Lied von der Erde: no 3, Von der Jugend by Gustav Mahler
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Otto Klemperer
    Orchestra/Ensemble: New Philharmonia Orchestra, Philharmonia Orchestra
    Period: Romantic
    Written: 1908-1909; Vienna, Austria
    Date of Recording: 1964-1966
    87. Das Lied von der Erde: no 5, Der Trunkene im Frühling by Gustav Mahler
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Otto Klemperer
    Orchestra/Ensemble: New Philharmonia Orchestra, Philharmonia Orchestra
    Period: Romantic
    Written: 1908-1909; Vienna, Austria
    Date of Recording: 1964-1966
    88. Studentenlieder (8) for Tenor and Strings by Fritz Neumeyer
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Karl Ristenpart
    Orchestra/Ensemble: Saarland Radio Chamber Orchestra
    Date of Recording: 07/1960
    89. Der Rattenfänger von Hameln: Wandern, ach wandern by Adolf Neuendorff
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Werner Eisbrenner
    Orchestra/Ensemble: FFB Orchestra
    Period: Romantic
    Written: 1880; New York, USA
    Date of Recording: 01/21/1962
    90. Zwei dunkle Augen by Carl Heins
    Performer: Fritz Wunderlich (Tenor)
    Conductor: Werner Eisbrenner
    Orchestra/Ensemble: FFB Orchestra
    Period: Romantic
    Date of Recording: 01/21/1962

    Notes and Editorial Reviews
    Friedrich “Fritz” Karl Otto Wunderlich was born into a musical family – his father was a choir director, his mother a violinist – and for a time the family kept an inn. His father had been severely wounded during WW1 and, owing to pressure from local Nazis, he lost his job and he committed suicide when Fritz was five years old. As a young man he worked in a bakery and neighbours and customers alike noticed his beautiful singing and encouraged him to take music seriously. A scholarship granted by the town fathers granted him five years at the Music Academy of Freiburg in Breisgau where he studied voice and classical horn which may help explain his remarkable breath control. In 1955 in a student production of Die Zauberflöte he played Tamino and was engaged by the Wurttemburg State Opera in Stuttgart where his first role was Ulrich Eislinger in Die Meistersinger. Replacing an ailing Josef Traxel as Tamino Stuttgart had a new star and Wunderlich's short but brilliant career began. He sang regularly in Vienna and Munich as well as the Salzburg Festival, together with engagements at Covent Garden and Edinburgh in 1965. He had a highly successful USA tour in 1964 and was due to make his Metropolitan debut as Don Ottavio on October 8, 1966.

    The previous month he was an enjoying a hunting vacation when tragedy struck, his great friend and accompanist, Hubert Giesen, described the fatal accident as follows: When the family and the other guests retired to bed, Wunderlich also went to his room on the ground floor, but left it again to get a book from the library on the first floor. He had slipped on his shoes but failed to tie the laces, and on his return he seems to have stepped on a shoelace and tripped. He grabbed at the thick rope that ran down the side of the stairs but it came away from the wall and he fell headlong on to the stone floor below. He must have turned as he fell and hit the back of his head on the flagstones, for he was already in a deep coma when he was found and taken to hospital in Heidelberg but he never recovered consciousness.

    In hindsight it is fortunate for us that he spent so much of his career in the recording studio. His range was wide, to the classics of J.S, Bach, Mozart, Bach, Schubert and Mahler he brought lyrical brilliance and to Bel Canto and light opera a melodic tenderness which recalls Tauber. In the 1960s it was the fashion for German opera houses to perform operas in the local rather than original language hence virtually all his recordings are in German. In April 2008 the BBC Music Magazine a survey voted him the fourth greatest tenor of all time – and that on a mere six years of recording. One can only ask what might have been had he not been killed so young.

    AllMusic Review by Blair Sanderson [-]
    Considering that Fritz Wunderlich's recording career lasted only six years, and that he had not yet fully explored the tenor repertoire before a tragic accident took his life in 1966, it is an exceptional legacy that EMI samples for this six-CD box set in its Icon series, Fritz Wunderlich: A Poet Among Tenors. This singer was constantly active in the recording studio, and his ability to learn music quickly increased his already high productivity in a repertoire that ranged from Renaissance to modern works. As this compilation shows, Wunderlich was versatile in Baroque cantatas, Classical operas, Romantic lieder, and post-Romantic operettas, and his fluid voice was adaptable to a variety of styles, technical demands, and expressions. This package is divided into six programs, which are differentiated as German songs and arias; German opera and operetta; operetta favorites; lyric opera roles; French, Czech, and Russian opera; and lieder. Wunderlich had a light, flexible voice that was ideal for these categories, but it was regarded as ill-suited to Wagner; even though he had sung minor roles in Die fliegende Holländer, Tannhäuser, and Tristan und Isolde, he wasn't a true heldentenor. Instead, his voice was made to order for Mozart's roles, and his recordings of Schubert and Schumann song cycles are still regarded as a high watermarks in the genre. This set will not satisfy listeners who already have Wunderlich's classic albums, but it is an excellent introduction to the tenor's work and sure to win over a new generation of fans. EMI's reproduction is clean and usually crisp.

     
     
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