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    mahler, gustav
    The symphonies / edo de waart, netherlands radio philharmonic orchestra

     
     
    Vendu et expédié par

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    • FormatCoffret CD Box
    •  
    • Etat généraloriginal neuf
    • Etat pochetteM ?
    • Etat disqueM ?
    • LabelCobra 0012 (14 CDs+1DVD)
    • PressageUPC/EAN: 8713897900897 - Netherlands
    • Année2004
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    • Quantité disponible1
    • Frais d'expédition
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    Commentaire du vendeur :
    Mahler: Symphonies 1-9 / De Waart, Netherlands Radio Philharmonic

    Release Date: 02/28/2004
    Label: Cobra Catalog #: 0012 Spars Code: DDD
    Composer: Gustav Mahler
    Performer: Charlotte Margiono, Birgit Remmert
    Conductor: Edo De Waart
    Orchestra/Ensemble: Netherlands Radio Philharmonic Orchestra, Netherlands Radio Choir
    Number of Discs: 14 CDs + 1 DVD
    Recorded in: Stereo
    Length: 12 Hours 42 Mins.

    Works on This Recording
    Tracklist
    Disc 1
    Symphony No.1 In D Major 55:54
    1-1 Langsam. Schleppend. Wie Ein Naturlaut 16:19
    1-2 Kräftig Bewegt, Doch Nicht Zu Schnell 7:29
    1-3 Feierlich Und Gemessen, Ohne Zu Schleppen
    Double Bass, Soloist – Peter Jansen (2) 11:21
    1-4 Stürmisch Bewegt. Energisch. Mit Großer Wildheit 20:33
    Disc 2
    Symphony No.2 In C Minor 43:46
    2-1 Allegro Maestoso Mit Durchaus Ernstem Und Feierlichem Ausdruck 21:59
    2-2 Andante Moderato. Sehr Gemächlich. Nie Eilen 10:22
    2-3 In Ruhig Fliessende Bewegung 11:04
    Disc 3
    Symphony No.2 In C Minor 42:26
    3-1 "Urlicht". Sehr Feierlich, Aber Schlicht (From "Des Knaben Wunderhorn") 5:41
    3-2 Im Tempo Des Scherzos. Wild Herausfahrend 36:41
    Disc 4
    Symphony No.3 In D Minor 61:38
    4-1 Part I Erste Abteilung Premiere Partie Kraftig Entschieden
    Trombone, Soloist – Herman Nass 34:51
    4-2 Part II Zwite Abteilung Dexième Partie Tempo Di Menuello, Sehr Mäßig 9:31
    4-3 Comodo, Scherzando. Ohne Hast
    Horn [Posthorn], Soloist – Jos Verspagen 16:59
    Disc 5
    Symphony No.3 In D Minor 39:41
    5-1 Sehr Langsam. Miserioso. 10:12
    5-2 Lustig Im Tempo Und Keck 4:23
    5-3 Langsam. Ruhevoll. Empfunden 25:04
    Disc 6
    Symphony No.4 In G Major 59:44
    6-1 Bedächtig. Nicht Eilen. Nicht Gemächlich. 17:11
    6-2 In Gemächliger Bewegung. Ohne Hast 9:51
    6-3 Ruhevoll (Poco Adagio) 23:00
    6-4 Sehr Behaglich 9:25
    Disc 7
    Symphony No.5 In C Sharp Minor 74:11
    Part I Erste Abteilung Premiere Partie
    7-1 Trauermarsch. In Gemessenem Schritt. Streng. (Wie Ein Kondukt) 13:53
    7-2 Stürmisch Bewegt Mit Größter Vehemenz 15:27
    Part II Zwite Abteilung Dexième Partie
    7-3 Scherzo (Kräftig, Nicht Zu Schnell)
    Soloist, Horn – Hans Dullaert 18:47
    Part III Dritte Abteilung Troisième Partie
    7-4 Adagietto (Sehr Langsam) 10:01
    7-5 Rondo-Finale (Allegro) 15:44
    Disc 8
    Symphony No.6 In A Minor 38:26
    8-1 Allegro Energico Ma Non Troppo. Heftig Aber Markig 23:57
    8-2 Scherzo (Wuchtig) 14:27
    Disc 9
    Symphony No.6 In A Minor 46:50
    9-1 Andante Moderato 16:19
    9-2 Finale (Allegro Moderato) 30:31
    Disc 10
    Symphony No.7 In E Minor 79:13
    10-1 Langsam. Allegro Ma Non Troppo
    Soloist, Horn [Tenor] – Peter Saunders (2)
    Soloist, Violin – Ronald Hoogeveen 22:20
    10-2 Nachtmusik. (Allegro Moderato) 16:09
    10-3 Scherzo. Schattenhaft 10:06
    10-4 Nachtmusik. (Andante Amoroso) 12:50
    10-5 Rondo-Finale. Tempo I. (Allegro Ordinario) 17:24
    Disc 11
    Symphony No.8 In E Flat Major Part I 24:03
    11-1 Veni, Creator Spiritus! 1:32
    11-2 Imple Superna Gratia 4:23
    11-3 Infirma Nostri Corporis 3:18
    11-4 Infirma Nostri Corporis 3:16
    11-5 Accende Lumen Sensibus 5:14
    11-6 Qui Paraclitus Diceris 4:02
    11-7 Gloria Patri Domino 2:15
    Disc 12
    Symphony No.8 In E Flat Major Part II 59:15
    12-1 Poco Adagio 6:56
    12-2 Più Mosso (Allegro Moderato) 3:11
    12-3 Waldung, Sie Schwankt Heran 5:01
    12-4 Ewiger Wonderland 1:34
    12-5 Wie Felsenabgrund Mir Zu Füßen 4:22
    12-6 Gerettet Ist Das Elde Glied 1:00
    12-7 Jene Rosen, Aus Den Händen 2:02
    12-8 Uns Bleibt Ein Erdenrest 2:04
    12-9 Ich Spür Soeben 7:59
    12-10 Dir, Der Unberührbaren 2:25
    12-11 Bei Der Liebe, Die Den Füßen 5:58
    12-12 Er Überwächts Uns Schon 4:30
    12-13 Blicket Auf Zum Retterblick 6:18
    12-14 Alles Vergängliche 5:48
    Disc 13
    Symphony No.9 In D Major 45:37
    13-1 Andante Comodo 28:27
    13-2 Im Tempo Eines Gemächlichen Länders. Etwas Täppisch Und Sehr Derb 16:55
    Disc 14
    Symphony No.9 In D Major (Disc 2) 38:35
    14-1 Rondo-Burleske (Allegro Assai. Sehr Trotzig) 12:47
    14-2 Adagio. (Sehr Langsam Und Noch Zurückhaltend) 25:34
    Disc 15
    15 "Edo" with a documentary concerning Edo the Waart in which he speaks frankly concerning its career. 52:20

    Credits
    Baritone Vocals [Baritone, Pater Ecstaticus] – David Wilson-Johnson (tracks: 11-1 to 12-14)
    Bass Vocals [Bass, Pater Profundus] – Andrea Silvestrelli (tracks: 11-1 to 12-14)
    Choir – Netherlands Radio Choir* (tracks: 2-1 to 2-3, 3-1, 3-2, 4-1 to 4-3, 5-1 to 5-3, 11-1 to 12-14), City Boys Choir Elburg* (tracks: 4-1 to 4-3, 5-1 to 5-3, , 11-1 to 12-14), Opernchor Der Oper Leipzig* (tracks: 11-1 to 12-14)
    Chorus Master – Anton Tremmel (tracks: 11-1 to 12-14), Martin Wright (5) (tracks: 2-1 to 2-3, 3-1, 3-2, 4-1 to 4-3, 5-1 to 5-3, , 11-1 to 12-14), Pieter Jan Leusink (tracks: 4-1 to 4-3, 5-1 to 5-3, , 11-1 to 12-14)
    Composed By – Gustav Mahler
    Conductor – Edo de Waart
    Contralto Vocals – Birgit Remmert (tracks: 2-1 to 2-3, 3-1, 3-2), Larissa Diadkova (tracks: 4-1 to 4-3, 5-1 to 5-3)
    Contralto Vocals [Contralto I, Mulier Samaritana] – Doris Soffel (tracks: 11-1 to 12-14)
    Contralto Vocals [Contralto II, Maria Aegyptiaca] – Nancy Maultsby (tracks: 11-1 to 12-14)
    Engineer [Balance] – Arie Dubbeldam
    Orchestra – Netherlands Radio Philharmonic
    Recording Supervisor [Music Supervisor] – Gerard Westerdaal
    Soloist, Violin – Alexander Barantschik (tracks: 4-2, 6-1 to 6-4)
    Soprano Vocals – Charlotte Margiono (tracks: 2-1 to 2-3, 3-1, 3-2, 6-1 to 6-4)
    Soprano Vocals [Soprano I, Magma Peccatrix] – Alessandra Marc (tracks: 11-1 to 12-14)
    Soprano Vocals [Soprano II, Una Poenitentium] – Gwynne Geyer (tracks: 11-1 to 12-14)
    Soprano Vocals [Soprano, Mater Gloriosa] – Regina Nathan (tracks: 11-1 to 12-14)
    Tenor Vocals [Tenor, Doctor Marianus] – Vinson Cole (tracks: 11-1 to 12-14)

    Notes
    Printed in EU.
    Symphony No.1: Live recording: October 16, 1993 at the Concertgebouw, Amsterdam.
    Symphony No.2: Live recording: September 4, 1993 at the Concertgebouw, Amsterdam.
    Symphony No.3: Live recording: February, 1995 at the Concertgebouw, Amsterdam.
    Symphony No.4: Live recording: February 20, 1993 at the Concertgebouw, Amsterdam.
    Symphony No.5: Live recording: October 17, 1992 at the Concertgebouw, Amsterdam.
    Symphony No.6: Live recording: March 19, 1994 at the Concertgebouw, Amsterdam.
    Symphony No.7: Live recording: October 8, 1994 at the Concertgebouw, Amsterdam.
    Symphony No.8: Live recording: September 17, 1994 at the Concertgebouw, Amsterdam.
    Symphony No.9: Live recording: April 8, 1995 at the Concertgebouw, Amsterdam.
    The complete symphonies
    Charlotte Margiono, Birgit Remmert, Larissa Diadkova, Alessandra Marc, Gwynne Geyer Regina Nathan, Doris Soffel, Nancy Maultsby Vinson Cole, David Wilson-Johnson, Andrea Silvestrelli, Edo de Waart, Netherlands Radio Philharmonic
    A luxuriously box with:
    14 cd's with all symphonies of Mahler recorded in The Concertgebouw in Amsterdam.
    1 DVD "Edo" with a documentary concerning Edo the Waart in which he speaks frankly concerning its career.

    Reviews:
    Edo de Waart's Mahler cycle hasn't caused such a stir, which is all the more surprising as it shares the same virtues as Haitink's acclaimed first cycle. Both conductors could best be described as 'wholesome' and 'reserved', at least in their Mahler recordings. But De Waart and his Netherlands Radio Philharmonic are no match for the Concertgebouw. The highly disciplined NRP strings cannot begin to match their velvety Amsterdam counterparts and the brass and winds are far more accomplished in the latter orchestra, even as far back as the Sixties and Seventies when Mahler was already on every music lover's lips except for the most fervent of opponents. All the same, De Waart's forces acquit themselves adequately. These are excellently paced, beautifully balanced and consistently fine recorded traversals made in the Concertgebouw, though hardly a sound is heard from the audience. So far, so good.

    Would that the interpretations were more interesting! De Waart has some good ideas on how these symphonies should sound, but they all sound too controlled and studio-bound. The lack of temperament makes the symphonies sound as if they were all made out of the same mould. This makes De Waart's cycle sound more 'coherent' than any other cycle I have heard. Whether Mahler intended this, is another matter. As often quoted by Mahler scholars, the composer was able to 'shed a skin' with each symphony; in De Waart's hands, the Tragic Sixth shares the same complexity as the lyrical Fourth. But even with this neutral approach, there are beautiful things to hear. Note the perfectly paced and atmospheric funeral march of the First, the grave and profound 'Urlicht' of the Second, the perfectly raucous finale to the Seventh and the excellent choral contributions to the Second, Third and Eighth and one is almost convinced that De Waart's Mahler passes for the real thing. The orchestra sports a wonderfully present firm horn section, excellent percussion, a forceful principal trumpet and boisterous timpani.

    Still, the lack of tension in the Fifth, despite excellent playing and a promising trumpet solo, is disconcerting. The opening march of the Sixth is measured but almost totally lacking in drama (and hardly redeems itself in the Finale). The otherwise impressive Eighth ensures a lot of impact at the expense of detail. The opening movement of the Second is almost completely faceless, the Adagio of the Ninth largely short of catharsis. It is evident Edo de Waart is most convincing in the fantasy soundscape of the Wunderhorn symphonies, but severely underplays the more emotionally charged symphonies. All these defects would go unnoticed if De Waart's cycle were the only one available. But since it isn't, it will never be a front-runner. My three stars are out of respect for De Waart's integrity and the orchestra's efforts, as well as the excellent sound quality. I really wanted Edo de Waart to succeed, but one can't elude the feeling that he simply hasn't lived long enough with these demanding works to make a thorough impression in an ever growing crowded field of Mahler recordings.
    -- Marcel Kersten

     
     
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