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schubert, franz  -  Piano sonata d. 958; lieder; fragments / leif ove andsnes, ian bostridge

 
  • Format : CD

  • Etat général : original neuf
  • Etat pochette : S (?)
  • Etat disque : S (?)

  • Label : EMI 84321
  • Pressage : UPC/EAN: 094638432128 - EU
  • Année : 2007
  • Commentaire : Schubert: Piano Sonata D 958, Lieder / Andsnes, Bostridge Release Date: 04/03/ ... Voir plus bas

  • Quantité disponible : 1
 
Commentaire du vendeur :
Schubert: Piano Sonata D 958, Lieder / Andsnes, Bostridge

Release Date: 04/03/2007
Label: EMI Classics Catalog #: 84321 Spars Code: DDD
Composer: Franz Schubert, George Frideric Handel
Performer: Leif Ove Andsnes, Ian Bostridge
Number of Discs: 1
Recorded in: Stereo
Length: 1 Hours 0 Mins.
EAN: 0094638432128


Works on This Recording

1. Sonata for Piano in C minor, D 958 by Franz Schubert
Performer: Leif Ove Andsnes (Piano)
Period: Romantic
Written: 1828; Vienna, Austria
Date of Recording: 04/2006
Venue: Potton Hall, Suffolk, England
Length: 29 Minutes 39 Secs.
2. Gesänge des Harfners no 1, D 478 by Franz Schubert
Performer: Ian Bostridge (Tenor), Leif Ove Andsnes (Piano)
Period: Romantic
Written: 1816/1822; Vienna, Austria
Date of Recording: 10/2006
Venue: Henry Wood Hall, London England
Length: 3 Minutes 52 Secs.
Language: German
3. Gesänge des Harfners no 3, D 479 by Franz Schubert
Performer: Ian Bostridge (Tenor), Leif Ove Andsnes (Piano)
Period: Romantic
Written: 1816/1822; Vienna, Austria
Venue: Henry Wood Hall, London England
Length: 1 Minutes 53 Secs.
Language: German
4. Gesänge des Harfners no 2, D 480 by Franz Schubert
Performer: Ian Bostridge (Tenor), Leif Ove Andsnes (Piano)
Period: Romantic
Written: 1816/1822; Vienna, Austria
Date of Recording: 10/2006
Venue: Henry Wood Hall, London England
Length: 4 Minutes 1 Secs.
Language: German
5. Totengräbers Heimwehe, D 842 by Franz Schubert
Performer: Ian Bostridge (Tenor), Leif Ove Andsnes (Piano)
Period: Romantic
Written: 1825; Vienna, Austria
Date of Recording: 10/2006
Venue: Henry Wood Hall, London England
Length: 6 Minutes 1 Secs.
Language: German
6. Pflicht und Liebe, D 467 by Franz Schubert
Performer: Ian Bostridge (Tenor), Leif Ove Andsnes (Piano)
Period: Romantic
Written: 1816; Vienna, Austria
Date of Recording: 10/2006
Venue: Henry Wood Hall, London England
Length: 1 Minutes 17 Secs.
Language: German
7. Allegretto for Piano in C minor, D 900 [fragment] by Franz Schubert
Performer: Leif Ove Andsnes (Piano)
Period: Romantic
Written: after 1820; Vienna, Austria
Date of Recording: 04/2006
Venue: Potton Hall, Suffolk, England
Length: 29 Minutes 39 Secs.
8. Lebensmut, in B flat major D 937 [fragment] by Franz Schubert
Performer: Ian Bostridge (Tenor), Leif Ove Andsnes (Piano)
Period: Romantic
Written: 1828; Vienna, Austria
Date of Recording: 10/2006
Venue: Henry Wood Hall, London England
Length: 0 Minutes 54 Secs.
Language: German
9. Allegretto for Piano in C major, D 346 [fragment] by Franz Schubert
Performer: Leif Ove Andsnes (Piano)
Period: Romantic
Written: ?1816; Vienna, Austria
Date of Recording: 04/2006
Venue: Potton Hall, Suffolk, England
Length: 4 Minutes 28 Secs.
10. Johanna Sebus, D 728 [fragment] by Franz Schubert
Performer: Ian Bostridge (Tenor), Leif Ove Andsnes (Piano)
Period: Romantic
Written: 1821; Vienna, Austria
Date of Recording: 10/2006
Venue: Henry Wood Hall, London England
Length: 2 Minutes 20 Secs.
Language: German
11. Water Music Suite no 1 in F major, HWV 348: no 4, Andante in D minor by George Frideric Handel
Performer: Leif Ove Andsnes (Piano)
Period: Baroque
Written: circa 1715-1717; London, England
Date of Recording: 04/2006
Venue: Potton Hall, Suffolk, England
Length: 2 Minutes 48 Secs.


Notes and Editorial Reviews

The fifth release in Leif Ove Andsnes and Ian Bostridge's Schubert project ought to be subtitled "The Incredible Shrinking Composer", since it leads off with the huge C minor "Posthumous" sonata and winds down with fragments from unfinished songs and incomplete piano pieces. While the catalog doesn't exactly lack world-class recordings of D. 958, Andsnes' interpretation runs neck and neck with the best.

In the first movement he avoids Uchida's slightly studied reverse accents and tempo fluctuations, evoking Richter's prism-like, line-oriented sonority within a more objective interpretive aesthetic. For instance, Andsnes brings out the extraordinary harmonic juxtapositions presented in the exposition's second theme through changing tone color and voicing rather than by modifying the basic tempo. The eloquent slow movement also is well sustained, partly by virtue of Andsnes' textural diversity--you'll notice how the pianist's subtle and purposeful shifts in balance within the repeated triplet accompaniments insure against blandness.

He paces the Menuetto a little faster than most, generating long-lined tension and a rare, welcome feeling of one beat to the bar. Although the finale is lithe and weightless at the start, Andsnes slows down ever so slightly to better accommodate the music's increasing harmonic density.

You might look to Andsnes as a golden mean between the brusque, Beethovenian intensity of Brendel's first (and still best) recorded version on Vanguard and the soft-focused architecture and infinite gradations of touch Wilhelm Kempff serves up. Ian Bostridge's text-driven, awesomely controlled vocalism often strikes listeners as illuminating or mannered, yet I can't see anyone taking issue with Andsnes' warm, sensitively detailed keyboard support.

--Jed Distler, ClassicsToday.com

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"Mr. Andsnes treats the mood swings in the C minor Sonata with straightforward musical integrity and plays with vigor, clarity and sweep. The tender Adagio emerges as one of Schubert's most affecting slow movements. In the finale Mr. Andsnes's brilliant technique allows him to set a bracing tempo and maintain it effortlessly throughout all the awkward twists, giving the music a controlled wildness.
In a group of lesser-known lieder Mr. Bostridge sings with keen sensitivity to the text and expressive vocal inflections. The recording also includes six engrossing fragments of songs and piano pieces that Schubert never completed.
The performers give vibrant accounts of the aborted pieces, stopping cold when they cut off. An Allegretto in C for piano of nearly five minutes comes across as strangely exuberant music full of playful but repetitive passagework. Perhaps Schubert thought it sounded a little trivial and gave up. If he could have heard Mr. Andsnes's scintillating performance he might have finished it."

Anthony Tommasini, NEW YORK TIMES

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AllMusic Review by Mike D. Brownell [-]
Another in an extremely successful line of collaborative Schubert recordings by pianist Leif Ove Andsnes and tenor Ian Bostridge, this installment focuses on the many fragments in Schubert's oeuvre. Andsnes' performance of the D. 958 C minor Piano Sonata is truly captivating, making him a worthy successor to the masterful Schubert recordings made by Alfred Brendel. With equally matched musical and technical skills, Andsnes' Schubert is simply pristine. His approach to the instrument is quite demonstrative, almost as though he's guiding his listeners through the music as he performs. Although the D. 958 Sonata is not an unfinished work, there are moments when the momentum of the piece suddenly stops; Andsnes goes so far as to tell listeners the precise times these moments occur in his introduction in the liner notes, brilliantly tying this sonata into the remainder of the album. The fragments included on the CD are absolutely wrenching -- such a shame that Schubert either chose not to complete these works or was unable to before his untimely death. Tenor Ian Bostridge is not only a magnificent vocalist, but a wonderful complement to Andsnes playing. Bostridge's voice is satisfyingly warm and round for a tenor; he emotes continuously, telling the story of the text right along Andsnes. This album, along with others in the series, is absolutely worth adding to any collection.

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Rezensionen

FonoForum 06 / 07: »Andsnes spielt farbig und anschlagssensibel. Der Beginn verrät Beethoven, das forsch genommene Finale beweist, dass es mit einem bloß schön-gesunden Ton bei dieser Musik nicht getan ist. Immer wieder setzt Andsnes, auffallend pedalarm, bedrohliche Abstürze in Szene, wenn er dem Bass kerniges Gewicht verleiht, um gleich darauf den Diskant unheilvoll schimmern zu lassen.«

»Warum gibt es so selten Zusammenstellungen wie diese?« (Fono Forum)
»Diese Partnerschaft ist eine der inspirierendsten, die eine Plattenfirma je gestiftet hat.« (The Times)
»Ein perfekt harmonisiertes Schubertpaar« (Stereoplay)

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Produktinfo:

Kein Zweifel: Das Schubert-Projekt des Tenors Ian Bostridge und des Pianisten Leif Ove Andsnes ist ein diskografischer Meilenstein, der die Musikwelt begeistert. Die Kopplung von Schubert-Liedern mit Klaviermusik des Frühromantikers überzeugt – zumal zwei absolute Topkünstler hier den verborgenen poetischen Gemeinsamkeiten von Lied und Instrumentalmusik nachspüren. Das Schubert-Projekt der beiden Künstler gipfelt in dieser vierten und letzten Folge in abgründigem und teilweise bisher kaum entdecktem Repertoire. Besonders faszinierend: Die CD schließt mit Klavier- und Liedfragmenten – bewegende Gegenstücke zu Schuberts wesentlich bekannterer unvollendeter Sinfonie.

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